I've had the pleasure of trying on a few of their trenchcoats myself recently. Felt like a new woman. It's true, it's CRACK for asians, as my dear friend Marty would say. The proof is in the pudding:
Burberry Prorsum
Spring 2013
Saturday, September 22, 2012
I'm on Crack
I am always amazed at how Christopher Bailey and the Burberry team are able to make a classic trenchcoat into something so...desireable.
I've had the pleasure of trying on a few of their trenchcoats myself recently. Felt like a new woman. It's true, it's CRACK for asians, as my dear friend Marty would say. The proof is in the pudding:
I've had the pleasure of trying on a few of their trenchcoats myself recently. Felt like a new woman. It's true, it's CRACK for asians, as my dear friend Marty would say. The proof is in the pudding:
Fendi - Spring '13 RTW
Ciao!
I haven't written in a while, I apologize.
The past year of 2012 has brought along with it so much change. I own things now - a studio apartment, a washer/dryer (big deal for city living!), a Steinway, a new position at phillip lim, new friends who I keep closer and closer. And a newfound independence - traveling Rome and Florence on one's own is quite a soul-confronting experience.
It's been an editing process. Nurturing a new lifestyle and mentality, moving forward from old boyfriends and bandmates. I'm growing up, faced with more responsibility - all good things, even though I am still somewhat resisting the whole concept.
However, I must roll with it and just GET ON WITH IT, as my dear friend Desi would say.
Let's get straightaway to the topic at heart this morning - FENDI, Spring '13.
A beautiful collection of fresh and happy colors, beautiful but simple shapes, nothing eccentric or trying to make a statement. It just is. And I love the metal enameled cone studs on the accessories. Looks like studs are here to stay yet for another season. Enjoy.
I haven't written in a while, I apologize.
The past year of 2012 has brought along with it so much change. I own things now - a studio apartment, a washer/dryer (big deal for city living!), a Steinway, a new position at phillip lim, new friends who I keep closer and closer. And a newfound independence - traveling Rome and Florence on one's own is quite a soul-confronting experience.
It's been an editing process. Nurturing a new lifestyle and mentality, moving forward from old boyfriends and bandmates. I'm growing up, faced with more responsibility - all good things, even though I am still somewhat resisting the whole concept.
However, I must roll with it and just GET ON WITH IT, as my dear friend Desi would say.
Let's get straightaway to the topic at heart this morning - FENDI, Spring '13.
Sunday, October 30, 2011
newbies on the street
940 fulton street
brooklyn, ny 11238
I'm moving!
to Clinton Hill, in a charming pre-war gut-renovated studio.
exposed brick, reclaimed wooden joists, washer/dryer hookup, southside views of gardens...
422 sq. feet of space, all mine. waiting to be lived in.
it's the kind of place where i want to invest in a vintage burgundy chesterfield couch, with the perfect worn in coffeetable, and maybe a cool floor lamp next to it.
theSelby is now my new best friend, for interior inspiration.
crossing fingers to close without a hitch.
Sunday, April 3, 2011
Living the Dream: TPF @ 1867 Recording Studio
the brilliant recording engineer - Chris!!
gorgeous ceiling of the masonic temple-turned-recording studio
the Rhodes - my best friend at 1 am
the most beautiful upright piano
frame exposed to show the hammers
bright...bold...edgy...perfectly imperfect
Quite possibly one of the best weekends of the year.
TPF had our first 'real' recording session at 1867 Recording Studios, this a.mA.zing space held in a former masonic church, in ghetto Chelsea, Massachusetts. What an opportunity to work with a really talented recording engineer (Chris) who was so sweet and gracious and let me record on the Rhodes at 1am even when everyone's juice had run out, including his. Luckily I got it in 2 takes.
Thanks to Pat Allen (Alan?) Morin, our dear drummer, who set us up with the whole thing. Chris owns this crazy dilapidated masonic temple and transformed it into a recording studio, replete with state of the art gear and all the proper accoutrements you'd expect at a recording studio. Not that i'm any expert, but walking in there was like walking into a historic building in Europe. The ceiling and walls were starting to decay a bit, but retained the beautiful gold leaf-esque, native american/folksy vibe in quite simple colors - terracotta red, faded turquoise, gold. I couldn't get over it. Maybe it was the dim lighting casting shadows that expanded the whole grandeur of the space. Or maybe it was the fact that I was pinching myself that this - recording session, road trip to boston, making a record - was all really happening...whatever it was, it was a big deal for me to be there. My first recording session ever!
We left with tracking complete for 3 songs (we were only expecting to finish 2). 4 hours of setup, approx. 8 hours of playing and recording, 2 take-out meals and some beer. It was so wonderful, and fun, and we met some great people who hosted us for the weekend. We all agreed that Boston was a 'friendly' place, or so it seems from Pat's friends. It felt like, we accomplished something for the band this weekend. Not only musically for our record, but to connect with a recording engineer/musician who was genuine and sweet and kind and really fun to work with. It was inspiring, as it always is, to work with Talent and Passion...people who know what they're doing, with critical ears and an expertise that you can trust. Labors of love. It was so professional yet didn't feel at all like work, as if it was another weekend of just hanging out.
So this is how records are made.
The Party Faithful
Recording Session
1867 Recording Studio
Chelsea, MA
April 1-3, 2011
Sunday, March 27, 2011
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